In this week’s edition of the newsletter, we wish a happy 90th birthday to Lou Adler—a peerless impresario, brilliant producer of music and films, and a great Californian.
Lou’s first megahit was, fittingly, “California Dreamin’,” by the Mamas & the Papas—unless you count “Surf City,” by Jan and Dean, or “Wonderful World,” which Lou co-wrote with Sam Cooke. His biggest hit record was Carole King’s Tapestry, which won a Grammy in 1972 and is widely considered one of the greatest pop albums of all time. A man of vast depth and breadth, he also discovered Cheech and Chong and produced their first movie, Up in Smoke. And oh, that’s right, he gave us The Rocky Horror Picture Show.
I would argue that Lou Adler’s most significant cultural contribution was the Monterey Pop Festival, and even more so the movie, Monterey Pop, which let the world see that something explosive was happening in California in 1967, and not just on the stage. Which gives us a segue to introduce this week’s first story.